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Violin Sheet Music
"There is no feeling, except the extremes of fear and grief, that does not find relief in music." George Eliot (1819-80)
Traditional
Yellowcard
Yellowcard was an American rock band that formed in Jacksonville, Florida, in 1997 and were based in Los Angeles beginning in 2000. The band is well known for its singles "Ocean Avenue", "Only One", and "Lights and Sounds". The group's music is distinctive within its genre because it features the prominent use of a violin. The band released ten studio albums, with its most recent and final one, Yellowcard, released on September 30, 2016. The band played its final show on March 25, 2017, at the House of Blues in Anaheim, California.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Wicked
Wicked is a musical with songs and lyrics by Stephen Schwartz and a book by Winnie Holzman. The story is based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a parallel novel of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
Otakar Ševčík
Otakar Ševčík (22 March 1852 – 18 January 1934) was a Czech violinist and influential teacher. He was known as a soloist and an ensemble player, including his occasional performances with Eugène Ysaÿe.Ševčík was born in Horažďovice, Bohemia, Austrian Empire. His father was the local village schoolmaster. Although he received his first music lessons from his father, he studied under Antonín Bennewitz at the Prague Conservatory (1866–1870) during which period a disease caused him to have his left eye enucleated. He was also taught by Hans Sitt. He began his career in 1870 as concertmaster of the Mozarteum concerts in Salzburg, where he also taught.[citation
Eric Whitacre
Eric Edward Whitacre (born January 2, 1970) is an American composer, conductor, and speaker known for his choral, orchestral, and wind ensemble music. In March 2016, he was appointed as Los Angeles Master Chorale's first artist-in-residence at the Walt Disney Concert Hall.
Zoltan Paulinyi
Zoltán Paulínyi Körmendy (Pittsfield, MA, 1977) conhecido pelo nome artístico de Zoltan Paulini, é um violinista, violista (barroco e moderno) e compositor americano-brasileiro. É profissionalmente ativo desde 1995, e utiliza principalmente instrumentos fabricados e restaurados pelo luthier Carlos Martins del Picchia.
Michael W. Smith
Michael W. Smith (born October 7, 1957) is a Grammy Award-winning American singer and songwriter. He is one of the best-selling and most influential artists in Contemporary Christian Music, and he has achieved considerable success in the mainstream music industry as well. Smith is a three-time Grammy Award winner, and he has earned 34 Dove Awards. Over the course of his 24-year career, he has sold more than 13 million albums and he has recorded 29 number-one hit songs, fourteen gold albums, and five platinum albums. Mr. Smith is an American Music Award recipient and he was named one of People magazine's most beautiful people.
Friedrich Seitz
riedrich Seitz (12 June 1848, Günthersleben-Wechmar, Saxe-Coburg and Gotha – 22 May 1918) was a German Romantic Era composer. He was a violinist who served as a concertmaster, who wrote chamber music and eight student concertos for the violin.Seitz studied violin first under Karl Wilhelm Uhlrich in Sondershausen, Germany; he later married Uhlrich's daughter. He became a student of Johann Christoph Lauterbach in 1874. He became music director at Sondershausen and thereafter became a concertmaster at Magdeburg. In 1884 he was the "Hofkonzertmeister" (conductor of the court orchestra) at Dessau.
Ogie Alcasid
Herminio Alcasid, Jr., more popularly known as Ogie Alcasid (born August 27, 1967), is a Filipino singer, songwriter, comedian, composer, television host, actor, and entrepreneur.
Alcasid debuted as a singer in 1989 with the release of his self-titled album. Ogie Alcasid reached gold record status, while his debut single "Nandito Ako" (Here I Am) was awarded "Song of the Year" by local radio station Magic 89.9. He has since released 18 albums, including a Christmas album (Larawan ng Pasko/ Images of Christmas, 1994), a live album (OA sa Hits (Live), 2002), and four greatest hits albums.
He has received a total of five gold records, three platinum records, and three double platinum records.
Alcasid debuted as a singer in 1989 with the release of his self-titled album. Ogie Alcasid reached gold record status, while his debut single "Nandito Ako" (Here I Am) was awarded "Song of the Year" by local radio station Magic 89.9. He has since released 18 albums, including a Christmas album (Larawan ng Pasko/ Images of Christmas, 1994), a live album (OA sa Hits (Live), 2002), and four greatest hits albums.
He has received a total of five gold records, three platinum records, and three double platinum records.
Jan Harms
Jan Harms Born in Melun (France) in 1975, its now 29 years that I practice cello (concerts, recordings...) and 10 years piano as self-teached. Since, I'm interested and working on composition for several musical formations near my chemist job. Today, I'm very glad to hear my writings played and sung. However, I want to let them know to a larger public.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Johann Strauss
Johann Strauss I (March 14, 1804 – September 25, 1849; German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss, Sr., the Elder, the Father), born in Vienna, was an Austrian Romantic composer famous for his waltzes, and for popularizing them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is probably the Radetzky March (named after Joseph Radetzky von Radetz), while his most famous waltz is probably the Lorelei Rheinklänge, Op. 154.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Henryk Wieniawski
Henryk Wieniawski (10 July 1835 – 31 March 1880) was a Polish violinist and composer. He was considered a violinist of genius and wrote some of the most important works in the violin repertoire, including two extremely difficult violin concertos, the second of which (in D minor, 1862) is more often performed than the first (in F♯ minor, 1853). His "L'Ecole Moderne, 10 Etudes-Caprices" is a very well known and required work for aspiring violinists. His Scherzo-Tarantelle, Op. 16 and Légende, Op. 17 are also frequently performed works. He also wrote two popular mazurkas for solo violin and piano accompaniment (the second one, Obertas, in G Major), using techniques such as left-hand pizzicato, harmonics, large leaps, and many double stops. Wieniawski has been given a number of posthumous honors. His portrait appeared on a postage stamp of Poland in 1952 and again in 1957. A 100 Złoty coin was issued in 1979 bearing his image.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
Prokofiev
Sergei Sergeyevich Prokofiev (Russian: Сергей Сергеевич Прокофьев; Ukrainian: Сергій Сергійович Прокоф'єв) (27 April 1891 – 5 March 1953) was a Russian composer, pianist and conductor who mastered numerous musical genres and came to be admired as one of the greatest composers of the 20th century.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Bond Quartet
Together Tania Davis (Violin), Eos Counsell (violin), Elspeth Hanson (viola) and Gay-Yee Westerhoff (cello) complete the line-up of BOND.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Armando trovajoli
Armando Trovajoli was an Italian film composer and pianist with over 300 credits as composer and/or conductor, many of them jazz scores for exploitation films of the Commedia all'italiana genre. He collaborated with Vittorio De Sica on a number of projects, including one segment of Boccaccio '70.
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Jazz Standard
Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma with original lyrics by Jacques Prévert in French, and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a #1 best-seller in the USA Billboard charts of 1955.
Mago de Oz
Mägo de Oz (Spanish for Wizard of Oz, with a metal umlaut) are a Spanish folk metal band from Begoña, Madrid formed in mid-1988 by drummer Txus di Fellatio. The band became well known for the strong Celtic feel to their music strengthened through their consistent usage of a violinist and flautist. The name for the band was chosen, according to founding member Txus, because "life is a yellow brick road, on which we walk in the company of others searching for our dreams." On the 26th of October, 2018, the band played a special concert to celebrate their 30th anniversary, playing with a symphony orchestra at the WiZink Center in Madrid.
Benjamin Vining
Ben Vining. Chicago, Illinois. Hi, I'm Ben! I'm a producer, composer, and songwriter from Phoenix, AZ. I love experimenting with unconventional production ...
Kansas
Kansas is an American progressive rock band which became a popular arena rock group in the 1970s, with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". Kansas has remained a classic rock radio staple and a popular touring act in North America and Europe.
Nathan Johnson
Nathan Tyler Johnson (born August 4, 1976) is an American film composer, director, and producer.Johnson was born in Washington, D.C., and grew up in Colorado. After living in England in the mid-2000s, Johnson relocated to the East coast of the U.S., where he launched a live touring project with his band, The Cinematic Underground. His work with the band opened up doors into film composing, and his first musical score was for the award-winning film Brick.
Kanon Wakeshima
Kanon Wakeshima (分島 花音, Wakeshima Kanon, born June 28, 1988) is a Japanese musician and singer. Originally produced by musician and fashion designer Mana, Wakeshima debuted under the DefStar Records label on May 28, 2008 with the single "Still Doll", the ending theme for the anime adaptation of the manga series Vampire Knight. She also provided the voice for a maid that appears in the eighth episode of the series. Wakeshima's second single "Suna no Oshiro", released on November 12, 2008, was used as the ending theme for the series' second season (subtitled Guilty).
Ferdinand Küchler
Ferdinand Küchler (14 July 1867, in Giessen – 24 October 1937, in Leipzig) was a German violinist and violist, renowned violin pedagogue, and composer of instructive violin musicKüchler studied violin with Johann Naret-Koning and Hugo Heermann, and music theory with Arthur Egidi and Iwan Knorr from 1883 to 1888 at the Hoch Conservatory in Frankfurt am Main. In 1889 he took his first job as principal violist of the Symphony Orchestra in Basel, also playing viola in a string quartet, and later began teaching violin at the local music school. In 1898 he was appointed a violin teacher at the Hoch Conservatory in Frankfurt, and was also violist of the Heermann Quartet led by his former teacher. Küchler returned to Basel in 1910. The following year became director of a private music school and worked as a choral conductor. From 1927 to 1936 he taught violin at the Landeskonservatorium der Musik zu Leipzig (State Conservatory of Leipzig).
Richard Wagner
Wilhelm Richard Wagner (pronounced /ˈvɑːɡnər/, German pronunciation: ; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Rene de Boisdeffre
René de Boisdeffre was a French composer. He is the author of some 60 pieces of chamber music as well as a few pieces for piano and vocal music. General de Boisdeffre was his cousin.
Gasparo Alberi
He was born in Padua, and worked through the ranks at the basilica of Santa Maria Maggiore, in Bergamo, starting as a cleric in 1503, he becoming choir master ...
Cesar Cui
César Antonovich Cui (Russian: Цезарь Антонович Кюи, tr. Tsézar Antónovich Kyuí, IPA: (About this soundlisten); French: Cesarius Benjaminus Cui; 18 January 1835 – 13 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject.
Ennio moricone
Ennio Morricone is an Italian composer especially known for his soundtracks. He is one of the most recognized and critically acclaimed film musicians of the 20th century. The number of his films and television series exceeds 500.
Date of birth: November 10, 1928 (91 years old), Rome, ItalyInstrument: Trumpet; Piano Awards: Oscar for Best Soundtrack, Academy Honor Award,
Date of birth: November 10, 1928 (91 years old), Rome, ItalyInstrument: Trumpet; Piano Awards: Oscar for Best Soundtrack, Academy Honor Award,
Monteverdi
Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) â November 29, 1643), was an Italian composer, gambist, and singer.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Benjamin Godard
Benjamin Louis Paul Godard (18 August 1849 – 10 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera Jocelyn. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise.
Apocalyptica
Apocalyptica is a Finnish cello metal band, composed of classically trained cellists and, since 2005, a drummer. Three of the cellists are graduates of the Sibelius Academy in Helsinki, Finland. Their music features elements from classical music, neo-classical metal, thrash metal, and symphonic metal.
Alastair Greig
Alastair Greig is a composer based in London. His music has been performed in venues throughout the UK, Poland, Italy, France, Spain, Croatia, Switzerland, Ireland, Australia and the USA. Performers of his music include Rolf Hind, Peter O’Hagan, Singcircle, Gregory Rose, Sakari Oramo, Birmingham Contemporary Music Group, Daniel Barrett, Linda Wetherill, Francois Veilhan, Uroborus Ensemble, The Britten Sinfonia, Interensemble, Virelai, Lucja Szablewska, Sicilian Symphony Orchestra, Cantus Ensemble Zagreb, Maciej Żółtowski,Sydney Contemporary Orchestra, English Symphony Orchestra and the Polish Radio Symphony Orchestra.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.