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Violin Sheet Music
"... what is so important is that you play for the artist and for the record and for the song ... everything else falls into place ... my solo has to be a complement to the singer and the song..." James Burton / Lead Guitar Elvis Presley, Ricky Nelson, EmmyLou Harris, John Denver
Traditional
Teresa Teng
Teresa Teng (January 29, 1953 – May 8, 1995; traditional Chinese: 鄧麗君; simplified Chinese: 邓丽君; pinyin: Dèng Lìjūn; Wade–Giles: Teng Li-chun; Pe̍h-ōe-jī: Tēng Lē-kun, Japanese: テレサ・テン) was a Taiwanese pop singer. Teng's voice and songs are instantly recognized throughout East Asia and in areas with large Asian populations. It is often said, "Wherever there are Chinese people, the songs of Teresa Teng can be heard." Her songs enjoy popularity among Indonesian, Japanese, Khmer, Korean, Malaysian, Thai and Vietnamese listeners as well.
Teng was known for her folk songs and romantic ballads. Many became standards in her lifetime, such as "When Will You Return?" and "The Moon Represents My Heart". She recorded songs not only in her native Mandarin but also in Taiwanese Hokkien, Cantonese, Japanese, Indonesian, and English.
Teng, a lifelong sufferer from asthma, died in 1995 from a severe respiratory attack while on holiday in Thailand. She was 42.
Teng was known for her folk songs and romantic ballads. Many became standards in her lifetime, such as "When Will You Return?" and "The Moon Represents My Heart". She recorded songs not only in her native Mandarin but also in Taiwanese Hokkien, Cantonese, Japanese, Indonesian, and English.
Teng, a lifelong sufferer from asthma, died in 1995 from a severe respiratory attack while on holiday in Thailand. She was 42.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Harold Arlen
Harold Arlen (February 15, 1905 – April 23, 1986) was an American composer of popular music. Having written over 500 songs, a number of which have become known the world over. In addition to being the composer of The Wizard of Oz, Arlen is a highly regarded contributor to the Great American Songbook. His 1938 song "Over the Rainbow” was voted the twentieth century's No. 1 song by the Recording Industry Association of America (RIAA) and the National Endowment for the Arts (NEA).
After Forever
After Forever was a Dutch symphonic metal band with strong progressive metal influences. The band relied on the use of both soprano vocals and death growls. In February 2009, it was announced that After Forever had disbanded.
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
Gianfranco Gioia
He was born in Palermo in 1971. He graduated in Clarinet at the Conservatory of Music "Vincenzo Bellini” of Palermo and in Saxophone at the Conservatory of Music "Arcangelo Corelli" of Messina. He also attended courses of Composition, Choral Music and Choirmaster.
Tenmon
Tenmon (天門), born Atsushi Shirakawa (白川 篤史, Shirakawa Atsushi), is a Japanese music composer from Tokyo, Japan born October 4, 1971. He worked in the Nihon Falcom Corporation as one of the members of Falcom Sound Team J.D.K.. During his time with Falcom, he has composed much music for Falcom games, most notably Brandish.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
lady john scott
Alicia Ann, Lady John Scott, (née Alicia Ann Spottiswoode) (24 June 1810 – 12 March 1900) was a Scottish songwriter and composer known chiefly for the tune, "Annie Laurie", to which the words of a 17th-century poet, William Douglas, were setShe was the oldest daughter of John Spottiswoode of Berwickshire and his wife Helen Wauchope of Niddrie-Mains. On 16 March 1836 she married Lord John Douglas Scott, a younger son of the 4th Duke of Buccleuch, and consequently was known as Lady John Scott. Lord John Scott died in 1860. Under the will of her father, she resumed her maiden name Spottiswoode in 1866, and was sometimes known as Lady John Scott Spottiswoode.
Ferdinand David
Ferdinand Ernst Victor Carl David (German: ; 19 June 1810 – 18 July 1873) was a German virtuoso violinist and composer.Born in the same house in Hamburg where Felix Mendelssohn had been born the previous year, David was raised Jewish but later converted to Protestant Christianity. David was a pupil of Louis Spohr and Moritz Hauptmann from 1823 to 1824 and in 1826 became a violinist at Königstädtischen Theater in Berlin. In 1829 he was the first violinist of Baron Carl Gotthard von Liphardt's (father of Karl Eduard von Liphart) string quartet in Dorpat and he undertook concert tours in Riga, Saint Petersburg and Moscow.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
K-On!
K-On! (けいおん! Keion!?) is a Japanese four-panel comic strip manga written and illustrated by Kakifly. The manga started serialization in Houbunsha's seinen manga magazine Manga Time Kirara since the May 2007 issue, and also started a bimonthly serialization in Houbunsha's magazine Manga Time Kirara Carat since the October 2008 issue. A thirteen-episode anime adaptation produced by Kyoto Animation aired in Japan between April and June 2009. An additional original video animation episode was released in January 2010. A second season, titled K-On!! (with two exclamation marks), began airing in Japan from April 7, 2010. The title of the series comes from the Japanese word for light music, keiongaku (軽音楽?), but in the Japanese context is similar to pop music.
Anthony Hedges
Anthony J. Hedges (5 March 1931 – 19 June 2019) was an English composer, the son of children's writer Sidney HedgesHedges was born in Bicester, Oxfordshire, and studied music at Keble College Oxford, where his tutors included Thomas Armstrong. While on National Service for two years at Catterick (from 1955) he was a member of the Band of the Royal Signals Regiment. From 1957 he was a music lecturer at The Royal Scottish Academy of Music in Glasgow, and from 1962 a lecturer at The University of Hull (1962–94) where he was awarded an Hon.DMus. During his time in Glasgow he also contributed regular reviews and articles on music to The Glasgow Herald, The Scotsman, The Guardian and The Daily Telegraph. While at Hull he met the poet Philip Larkin.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
The Legend of Zelda
The Legend of Zelda (Zeruda no Densetsu) is a high fantasy action-adventure video game series created by game designer Shigeru Miyamoto and developed and published by Nintendo. The gameplay consists of a mixture of action, adventure, puzzle solving, role-playing and occasional platforming, stealth and racing elements. The series centers on Link, the main playable character and protagonist. Link is often given the task of rescuing Princess Zelda and the most common setting of the series, Hyrule, from Ganon who is the primary antagonist of the series. However, other settings and antagonists have appeared throughout the games, with Vaati having recently become the series' secondary antagonist. The story commonly involves a relic known as the Triforce, a set of three golden triangles of omnipotence. The protagonist in each game is not always the same iteration of Link, although the same character sometimes appears across multiple games.
The Legend of Zelda series has sold over 52 million copies since the release of the first game, The Legend of Zelda, and continues to be successful worldwide. The series consists of fourteen official games on all of Nintendo's major consoles, as well as several spin-offs. An animated series based on the games aired in 1989, and individual manga adaptions which are officially endorsed and commissioned by Nintendo have been produced in Japan since 1997.
The Legend of Zelda series has sold over 52 million copies since the release of the first game, The Legend of Zelda, and continues to be successful worldwide. The series consists of fourteen official games on all of Nintendo's major consoles, as well as several spin-offs. An animated series based on the games aired in 1989, and individual manga adaptions which are officially endorsed and commissioned by Nintendo have been produced in Japan since 1997.
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Charles Gounod
Charles-François Gounod (/ɡuːˈnoʊ/; French: ; 17 June 1818 – 17 or 18 October 1893) was a French composer, best known for his Ave Maria, based on a work by Bach, as well as his opera Faust. Another opera by Gounod that is still performed today is Roméo et Juliette.
Gounod died at Saint-Cloud in 1893, after a final revision of his twelve operas. His funeral took place ten days later at the Church of the Madeleine, with Camille Saint-Saëns playing the organ and Gabriel Fauré conducting. He was buried at the Cimetière d'Auteuil in Paris.
Gounod died at Saint-Cloud in 1893, after a final revision of his twelve operas. His funeral took place ten days later at the Church of the Madeleine, with Camille Saint-Saëns playing the organ and Gabriel Fauré conducting. He was buried at the Cimetière d'Auteuil in Paris.
Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) was an Italian composer whose operas, including La Bohème, Tosca, and Madama Butterfly, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O Mio Babbino Caro" from Gianni Schicchi, "Che gelida manina" from La Bohème, and "Nessun Dorma" from Turandot, have become part of popular culture.
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
Suzuki method
The Suzuki method is a music curriculum and teaching philosophy dating from the mid-20th century, created by Japanese violinist and pedagogue Shinichi Suzuki (1898–1998). The method aims to create an environment for learning music which parallels the linguistic environment of acquiring a native language. Suzuki believed that this environment would also help to foster good moral character.
Jamey Abersold
Wilton Jameson "Jamey" Aebersold is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education
Tom Kitt
Thomas Robert "Tom" Kitt (born 1974) is an American composer, conductor, orchestrator and musician. For his score for the musical Next to Normal, he shared the 2010 Pulitzer Prize for Drama with Brian Yorkey. He also won the Tony Award and 2008 Outer Critics Circle Award, and was nominated for a Drama Desk Award for American Idiot and Everyday Rapture.
Pablo de Sarasate
Pablo Martín Melitón de Sarasate y Navascués (10 March 1844 – 20 September 1908) was a Spanish violinist and composer of the Romantic period.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
G. F. Handel
George Frideric Handel (German: Georg Friedrich Händel; pronounced ) (23 February 1685 – 14 April 1759) was a German-English Baroque composer who is famous for his operas, oratorios, and concerti grossi. Handel was born in Germany in the same year as JS Bach and Domenico Scarlatti. He received critical musical training in Italy before settling in London and becoming a naturalised British subject. His works include Messiah, Water Music, and Music for the Royal Fireworks. He was strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell. Handel's music was well-known to many composers, including Haydn, Mozart, and Beethoven.
Rajko Maksimovic
Rajko Maksimović (Serbian Cyrillic: Рајкo Максимовић; 27 July 1935, Belgrade) is a composer, writer, and music pedagogue. One of the most significant Serbian composers of our time, Maksimović has been and remains active in creating works for different ensembles.
Oskar Rieding
Oskar Rieding was a German violinist, teacher of music, and composer. Born: 1840, Northern Germany
Died: 1918, Celje, Slovenia Books: Air Varie Op. 23 No. 3: Violin & Piano,
Died: 1918, Celje, Slovenia Books: Air Varie Op. 23 No. 3: Violin & Piano,
Pierre Rode
Jacques Pierre Joseph Rode (16 February 1774 – 25 November 1830) was a French violinist and composer.
Born in Bordeaux, Aquitaine, France, Pierre Rode traveled to Paris at the age of 13 and soon became a favourite pupil of the great Giovanni Battista Viotti who found the boy so talented that he charged him no fee for the lessons. Rode inherited his teacher's style to which he added more mildness and a more refined tone. It is also recorded that he made extensive use of portamento. He collaborated with Baillot and Kreutzer on the official Violin Method of the Conservatoire of Paris, published in 1802.
Rode served as violin soloist to Napoleon I of France and toured extensively in the Netherlands, Germany, England and Spain, staying with François-Adrien Boïeldieu in Saint Petersburg for 1804-1809, and later spending much time in Moscow. Ludwig van Beethoven wrote his last violin sonata (opus 96) for Rode when the violinist was visiting Vienna. He also performed chamber music, but the backbone of his repertoire was formed by Viotti's concertos which served as models for his own concertos. These, as well as the 24 Caprices (which have been recorded by Oscar Shumsky), were written during 1814-1819 when he lived in Berlin.
Born in Bordeaux, Aquitaine, France, Pierre Rode traveled to Paris at the age of 13 and soon became a favourite pupil of the great Giovanni Battista Viotti who found the boy so talented that he charged him no fee for the lessons. Rode inherited his teacher's style to which he added more mildness and a more refined tone. It is also recorded that he made extensive use of portamento. He collaborated with Baillot and Kreutzer on the official Violin Method of the Conservatoire of Paris, published in 1802.
Rode served as violin soloist to Napoleon I of France and toured extensively in the Netherlands, Germany, England and Spain, staying with François-Adrien Boïeldieu in Saint Petersburg for 1804-1809, and later spending much time in Moscow. Ludwig van Beethoven wrote his last violin sonata (opus 96) for Rode when the violinist was visiting Vienna. He also performed chamber music, but the backbone of his repertoire was formed by Viotti's concertos which served as models for his own concertos. These, as well as the 24 Caprices (which have been recorded by Oscar Shumsky), were written during 1814-1819 when he lived in Berlin.
Henri Vieuxtemps
Henri François Joseph Vieuxtemps (17 February 1820 – 6 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century.
Franz Gruber
Born in Munich, Gruber initially trained as an actor before making his opera debut in his native city in 1900. From 1901 to 1902, he worked at the Thalia-Theater in Saarbrücken. By that time, he had already begun studies as a singer, partly with his father. In 1902, he made his debut in the Stadttheater Regensburg and already in 1903, he was offered a position at the Staatstheater am Gärtnerplatz in Munich, where he achieved success primarily as an operetta singer.
amanda palmer
Amanda MacKinnon Gaiman Palmer (born April 30, 1976), sometimes known as Amanda Fucking Palmer, is an American singer, songwriter, musician, author, and performance artist who was the lead vocalist, pianist, and lyricist of the duo The Dresden Dolls. She performs as a solo artist, and was also one-half of the duo Evelyn Evelyn, and the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Carl Goldmark
Karl Goldmark (born Károly Goldmark, Keszthely, May 18, 1830 – Vienna, January 2, 1915) was a Hungarian-born Viennese composer.[1Goldmark came from a large Jewish family. His father, Ruben Goldmark, was a chazan (cantor) to the Jewish congregation at Keszthely, Hungary, where Karl was born. Karl Goldmark's older brother Joseph became a physician and was later involved in the Revolution of 1848, and forced to emigrate to the United States. Karl Goldmark's early training as a violinist was at the musical academy of Sopron (1842–44).He continued his music studies there and two years later was sent by his father to Vienna, where he was able to study for some eighteen months with Leopold Jansa before his money ran out. He prepared himself for entry first to the Vienna Technische Hochschule and then to the Vienna Conservatory to study the violin with Joseph Böhm and harmony with Gottfried Preyer.
Beatles
The Beatles were an English rock band formed in Liverpool in 1960. Their best-known lineup, consisting of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, became the greatest and most influential act of the rock era, introducing more innovations into popular music than any other rock band of the 20th century. Rooted in skiffle and 1950s rock and roll, the Beatles later utilized several genres, ranging from pop ballads to psychedelic rock, often incorporating classical elements in innovative ways. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as their songwriting grew in sophistication, they came to be perceived by many fans and cultural observers as an embodiment of the ideals shared by the era's sociocultural revolutions.
The band built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960. Manager Brian Epstein moulded them into a professional act and producer George Martin enhanced their musical potential. They gained popularity in the United Kingdom after their first modest hit, "Love Me Do", in late 1962. They acquired the nickname the "Fab Four" as Beatlemania grew in Britain over the following year, and by early 1964 they had become international stars, leading the "British Invasion" of the United States pop market. From 1965 on, the Beatles produced what many critics consider their finest material, including the innovative and widely influential albums Rubber Soul (1965), Revolver (1966), Sgt Pepper's Lonely Hearts Club Band (1967), The Beatles (1968), and Abbey Road (1969). After their break-up in 1970, they each enjoyed successful musical careers. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.
The band built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960. Manager Brian Epstein moulded them into a professional act and producer George Martin enhanced their musical potential. They gained popularity in the United Kingdom after their first modest hit, "Love Me Do", in late 1962. They acquired the nickname the "Fab Four" as Beatlemania grew in Britain over the following year, and by early 1964 they had become international stars, leading the "British Invasion" of the United States pop market. From 1965 on, the Beatles produced what many critics consider their finest material, including the innovative and widely influential albums Rubber Soul (1965), Revolver (1966), Sgt Pepper's Lonely Hearts Club Band (1967), The Beatles (1968), and Abbey Road (1969). After their break-up in 1970, they each enjoyed successful musical careers. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.
David M. Brown
David M. Brown was born in New Orleans in October 1957, and grew up in the suburb of Metairie. He began playing music professionally in 1972 in a wedding and dance band called "The Cabarets", one of the later offshoots of the kid's jazz band "Dunk's Honky-tonks". David played bass, guitar and tenor banjo, performing swing, Dixieland, pop and other styles with "The Cabarets", in virtually every VFW, American Legion and DAV hall in the Greater New Orleans Area, and popular wedding places like the Balcony, the Arrow and Champagne rooms, etc. David also played with many other bands in addition to "The Cabarets", particularly the "Third Line Jazz Band, both of which still played street jazz for the marching clubs for their Mardi Gras and St. Patrick's day parades.
Robin Hood
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Saint Saens
Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor, and pianist, known especially for The Carnival of the Animals, Danse Macabre, Samson and Delilah, Havanaise, Introduction and Rondo capriccioso, and his Symphony No. 3 (Organ Symphony).
Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.Max Bruch was born in 1838 in Cologne to Wilhelmine (née Almenräder), a singer, and August Carl Friedrich Bruch, a lawyer who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his piano concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Younha
Younha (Korean Hangul: 고윤하; hanja: 高潤荷; Go Yoon-ha, Japanese Katakana: ユンナ, Yunna) born April 29, 1988 in Seoul, Korea, is a K-Pop and J-Pop South Korean singer.
Younha made her debut as an artist at the young age of sixteen. Nicknamed the "Oricon comet" for her success in Japan, she has released eight singles and two albums there with varying degrees of success. Several of her songs have been featured in anime and drama series.
Younha was signed to Epic Records, a branch of Sony Music Entertainment Japan, from 2004 to 2008, after which she moved to Sistus Records, a Geneon Entertainment label. In South Korea, she is signed to Lion Media and Stam Entertainment.
Younha made her debut as an artist at the young age of sixteen. Nicknamed the "Oricon comet" for her success in Japan, she has released eight singles and two albums there with varying degrees of success. Several of her songs have been featured in anime and drama series.
Younha was signed to Epic Records, a branch of Sony Music Entertainment Japan, from 2004 to 2008, after which she moved to Sistus Records, a Geneon Entertainment label. In South Korea, she is signed to Lion Media and Stam Entertainment.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Castlevania
Castlevania: Lords of Shadow 2 is an action-adventure game, the sequel to the 2010 game Castlevania: Lords of Shadow, and part of the Castlevania franchise. The game was developed by MercurySteam and published by Konami. It was released late February 2014 in both North America and Europe and in March 2014 in Australia. Lords of Shadow 2 was released on September 4, 2014 in Japan. A downloadable chapter has also been released in March from the same year.
Friedrich Kreisler
Friedrich "Fritz" Kreisler was an Austrian-born violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing
niccolò paganini
Niccolò (or Nicolò) Paganini (Italian: (About this soundlisten); 27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
Vladimir Goncharenko
Vladimir Goncharenko russian contemporary artists,composer.
Offenbach
Jacques Offenbach (20 June 1819 – 5 October 1880) was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory.